When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch. ユミは夫(🕴)と娘の３人暮(🍉)らし。近々(🚯)引っ越し(⏪)を(💀)考(kǎo )えている。ユミは娘(⏺)(niáng )のレイ(🚄)ナが時折(🏡)うわ言を発することが(🍎)、少々気に(🍫)かかって(🛀)いた。転居の報(🦎)告も兼(jiā(📕)n )ねて友人(🏙)ヒ(🅱)ロミと久(jiǔ )々に再会す(👑)るユミ。話(🍕)(huà )題はい(📳)つ(🥄)しか「あの日」のこ(🏩)とに。「私(sī(⬜) )たちが埋(🚓)めた時、本(běn )当に死ん(🕑)でたのか(🆗)な(🚂)？」。ユミ(👀)は「あの日」(🧥)のことを(🍯)清算すべ(⤴)く(🤪)、サエ、アコにも再会(🔴)を決(jué )意(📝)し、廃墟(🚱)のような家に一人で住(📫)むサエに(🚐)会(🚶)いに行く(👖)。サエは、見知(🛏)らぬ少女(🔂)が現(xiàn )れ(💌)て(🔊)娘だと言って聞(wén )かず(🆘)、しばら(📇)く一(yī )緒(⛩)(xù(🌻) )に暮らしていたが死(💫)(sǐ )んだこと(⏹)、そして(🗡)少(shǎo )女は死んだままそ(🔺)の家の３(🖊)階(😠)に寝かさ(🐾)れているとい(🚭)うことを(💆)話し出す(🙍)。(C)「(🛎)黄泉がえる少女」製作(🅿)委員会 故(🧕)事发生(shē(🐊)ng )在墨西哥城的一个中(zhō(😘)ng )产阶级社(🤭)区(🏢)“罗马”，讲述(🍾)年轻女佣克里(🔶)(lǐ )奥(ào )（(🌓)雅利扎(zhā(🎮) )·(🔖)阿巴里(lǐ )西(xī )奥饰）在(👡)(zài )雇主索(🛰)菲(fēi )亚(yà(🌑) )（(🌃)玛丽娜·德·塔(tǎ )维(🙂)(wéi )拉饰）家(🎻)中工作，该(🍶)(gāi )家中索菲亚(yà )的丈夫(🌊)长(zhǎng )期在(📙)外(🉐)，由(yóu )女佣(🌦)克里(lǐ )奥照顾(🦅)索菲(fēi )的(🌒)四个孩(há(📥)i )子(🖥)。突如其(qí )来的两个(gè )意外，同时(shí(👪) )砸中了女(🏹)佣克里奥和(hé )雇主索菲(📽)亚，两人究(🐟)(jiū(📀) )竟该如何(🕳)面对苦涩茫(má(🛂)ng )然的生活(🌱)？四位孩(🗒)子(🖐)(zǐ )似(sì )乎是希望所在。 这(❓)(zhè )是(shì )以(👣)导演阿(ā(🚱) )方(🎀)索·卡(kǎ )隆(lóng )的儿时(✝)记(jì )忆铸成(🧘)的(de )影(yǐng )片(🌡)，而卡隆其实就(jiù )是(shì )片(🌱)中某一位(🛎)小(🛃)孩。 《人尽皆(⏯)知》讲述了定(dì(🧀)ng )居在阿根(🙈)廷(tíng )的西(🔸)班(🚖)牙(yá )裔女子劳拉(lā )和她的丈(zhàng )夫(🏣)及孩子回(🗜)(huí )到西班牙(yá )小镇参加(😷)姐(jiě )姐的(🛂)婚(🙎)礼，然而孩(👱)子(zǐ )却莫名失(🦂)踪，这一突(🃏)(tū )发事件(🥞)使(🤖)得原本和谐(xié )的家庭开(💱)始互相猜(🥫)疑(yí )，尘封(🕉)许久的秘密逐(zhú )渐(jiàn )浮(🤮)出水面(miàn )…(🖖)… 志愿(yuà(🎙)n )成(chéng )为摄影师的肖恩（(🍢)罗(luó )伯特(🏸)·(🥚)席安 Robert Sheehan 饰）根(gēn )本(běn )不想(🌷)被死板的(🔘)工作束(shù(🦌) )缚(🕓)。为了生(shēng )计，他和(hé )狐朋狗友德(dé(📊) )里克（Carlito Olivero 饰(🏎)(shì )）靠偷盗为(wéi )生，甚至(🗜)(zhì )假扮餐(🏵)厅(💨)门(mén )童开(🌼)客人的车到人(🥨)家(jiā )家里(🎏)盗窃。这一(🥦)晚(🌲)，肖恩开着玛莎拉蒂潜(qiá(📸)n )入一个似(😖)乎是成功(🦂)人(rén )士的家中。当他以为(🚨)(wéi )得(dé )手时(🔖)，居然在对(🍀)方(fāng )房(fáng )间里发现(xiàn )一(🤲)名遭受(shò(💆)u )虐(🏥)(nuè )待全身被捆绑起来(lá(🙉)i )的(de )女子。原(🛃)来，那个(gè(🔫) )衣(🙋)(yī )冠楚楚的男人凯尔（大卫·田(♓)纳(nà )特 David Tennant 饰(🚗)）竟(jìng )然是冷血残(cán )酷(🕗)的虐待(dà(🍒)i )狂(🥐)。 Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. The film centers on a man who has superpowers only one day a year.