一个年迈(mài )的鳏夫，二(😇)战时期(🕑)的(🛷)(de )无(wú )线电话务员(yuán )，发觉(jiào )闪烁的(📍)灯(♓)泡(🔋)传(chuán ) 递着他亡妻来自天堂(🎞)(táng )的(🚞)消(🛤)息(➰)。 残忍(rěn )的杀戮(lù )在(zài )露营(🖼)地展开(👈)(kā(🎑)i )，这一(yī )切源自于一个(gè )被诅咒的(😃)面(🚳)具(👢)。这副(fù )面具辗转穿梭(suō )于(🍦)每个(🤕)(gè(🏓) )角(😯)(jiǎo )色，将唤醒(xǐng )他们最(zuì )深沉的欲(🏑)望(🏣)。本片内容涵盖恐怖、性喜剧甚至(📊)是(🐌)(shì(😧) )音乐剧(jù )，将令观众深(shēn )陷(📳)其中。 Suchmos于(📏)2016年(🐧)10月28日在(zài )惠比寿LIQUIDROOM的演出。收录(lù )于(😬)(yú(🐈) )二专THE KIDS的DVD中。 일반회사와 조금 다(🚧)른 경(💙)훈(🙌)의(🍩) 회사. A love triangle gets even more complicated once a time machine enters the picture. In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis. Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized? Laura and Ryan are perfect for each other: they both love Meryl Streep, have been totally destroyed by previous relationships, and they have no idea what they are supposed to do tonight. They also both know that they'll have to pretend to be completely different to how they've ever been previously, in the hope of getting it right this time. How bad can a second date really go and what is there to lose? Ryan and Laura are about to find out. Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.