“就算没有(yǒu )房，也依然要有明确(què )的思(sī )想和喜好(📔)”做了(le )三年(☝)(nián )家政帮佣的微笑(xiào )（李絮饰）人生中只(zhī )要有一杯威士忌、一(yī )口烟和心爱的男友(🔊)(yǒu )就(jiù )足(🎳)矣，可随着新年(nián )到(dào )来，房租不断(duàn )攀升(shēng )，威士忌和烟的(de )价格(gé )也不断上涨，薪(xīn )水却(què(🥎) )依然毫无(🏾)波动，既然(rán )自己的喜好变得(dé )越来(lái )越贵，那么便只(zhī )有放(fàng )弃房子。可爱的(de )现代(dài )版小(💨)公主微笑(😵)的(de )城市(shì )漂流生活就此开(kāi )始，就算没有房子，生活还是照着自己喜(xǐ )爱的方式继续着…(🔥) "Roy is the nice guy who finishes last. Sick of his current situation, he accepts an invitation to have Christmas dinner with the beautiful and strangely alluring Emilia. Once at dinner, Roy realizes that Emilia and her oddball brother (Edward) are not what they seem." Based on true events. Aesha goes to an isolated b&b in Kent after her mom books her in so she can get some head space for her studies. In the night Aesha is visited by a nun at the door who will progressively begin to show her true colours as the night unfolds - As the nun continues to bother Aesha at the door, Aesha begins to question her surroundings in this isolated suspense horror. 《帕德玛瓦(😹)蒂王后》改(gǎi )编自16世纪一首苏菲(fēi )史(shǐ )诗《Padmavati》，原是讲述(shù )印(yìn )度战斗民族拉(lā )杰普(pǔ )特人王(😤)后的史诗(🌘)(shī )，主(zhǔ )要描述她为民族(zú )和人(rén )民对抗外来敌人(rén )的故(gù )事，其中皇后为(wéi )了保(bǎo )护自(🔼)己清誉而(🎐)自(zì )焚。 In a dystopian future, a forensic investigator decides to travel to the Other Side, seeking evidence that will acquit him. 斯塔西·马汀、塔哈(hā )·拉希姆([预言者(zhě )])主演(yǎn )的新片[玩家](Joueurs，暂(zàn )译)在巴黎开拍(🏍)。曾凭(píng )借(😅)[马赛的夜]提名凯撒(sā )奖短片编剧的玛丽·蒙日执导该片。剧(jù )本(běn )由导演和[女神们]编(biā(⛎)n )剧(jù )罗曼(🔍)·康宁等(děng )人共(gòng )同撰写。故事围(wéi )绕一(yī )个赌博成瘾的人(rén )展开(kāi )，一个疯狂迷恋(liàn )上(🛀)他(tā )的女(🐪)子，不惜一(yī )切地(dì )要赢得他的心。 19-year-old Celeste and 26-year-old Sihem, both heroin addicts, are admitted to a rehab clinic the same day. They have a feeling they’ll be good friends. When Sihem tells Celeste that she had been pregnant but ended up having an abortion, Celeste says, “That’s not your fault.” Celeste is also comforted by Sihem when Celeste blames her mother for visiting her. However, the clinic takes to issue their intimacy and the two end up leaving the clinic to find a new home. For the two, everything is uncertain, and it is also heartbreaking to see their families suffer because of them. It is also not easy to resist the temptation of drugs. Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.