Anand "Ram Karthik", an aspiring young Radio Jackie. One day, one boy called the radio center and told that I am a love failure and now I am going to do suicide. After listing his concern, Anand narrates a love story to keep him away from suicide. He told that story episode wise and his story becomes very popular. Incidentally, this story becomes true in Anand's life and bring his love "Pranali Ghoghare" closer to him. For finding out his love Anand faces many problems and struggles much. How he found out his love and struggles to make everyone happy, Forms rest of the Story. 栗子(zǐ )致(🍰)力(lì )于(🌪)研(🥌)究(jiū )记忆交(jiāo )换技术(shù(⏪) )，男(🗳)友(yǒu )钟(🖇)瀚(hàn )非(fē(🦍)i )常支(zhī )持。科学家白堂武(❗)秘(😫)密研究(🏌)克隆人，却(🕝)只能搞(gǎo )出没有(yǒu )灵魂(📈)(hú(👀)n )的空壳(🤕)(ké )，他意(yì )识到记(jì )忆交换(huàn )技术(😸)(shù(🛴) )是他最(💴)(zuì )需要的。但栗子不愿与白堂武合(🏣)作(🧖)。白堂武(🐅)将(jiāng )钟瀚变成“白痴”骗栗子(🏑)(zǐ )帮钟(🍳)瀚(😆)(hàn )恢复(🎆)(fù )情(qíng )感。钟瀚突(tū )然成了(🔔)绑架反克(🏴)隆人专(🈹)家(💆)刘大明的嫌疑犯。栗(lì )子(📞)试(👛)(shì )图帮(🚏)钟(zhōng )瀚洗(🐮)冤(yuān )，竟在(zài )自家发(fā )现(👍)刘(🐟)(liú )大(dà(⏬) )明尸(shī )体(🔋)。白堂武提出克隆刘大明(🍜)并(🖊)植入记(🦎)忆。栗子勉强答(dá )应。栗子潜(qián )入白(🔊)堂(💚)(táng )武实(🕚)验(yàn )室发现(xiàn )：真(zhēn )正的钟(zhōng )瀚(😖)已(😞)死，现在(😿)的钟瀚是白堂武的克隆人(🕯)。白堂(tá(🤛)ng )武(🤐)利用记(🎲)忆(yì )交换技(jì )术批量(liàng )生(🦈)产克(kè )隆(🌚)人杀(shā(👞) )手(🕡)。栗子和(hé )钟瀚一起捣毁(🦗)白(🈷)堂武实(✊)验室。两人(📿)逃亡之际，钟瀚却将自(zì(🏖) )己(🏐)锁在(zà(🌊)i )里面，随实(🛎)验(yàn )室一(yī )起(qǐ )毁灭(miè(📥) )。数(⛹)周后栗(🏁)子发现自己怀上钟瀚的孩子，这让(🔼)她(🤺)坚强(qiá(🧔)ng )地面(miàn )对未来(lái )。 《梦(mèng )想之城(chéng )》是(🍥)一(🔲)(yī )部现(🚷)(xiàn )实主义(yì )题材的创业电(💄)影。影片(🚁)展(🔰)现了佛(🌱)山作为改革开(kāi )放前沿阵(💁)地(dì )，40年来(🏾)(lái )所取(🚔)得(🐬)(dé )的巨大(dà )成就和(hé )显(🎢)著(🌋)(zhe )变化。故(💉)事通过描(🛥)写在风云激荡的改革开(🏣)放(😙)大潮中(📽)，祖辈生活(🥦)在(zài )佛山的(de )阿宽（保剑(💭)锋(🐍)(fēng )饰）(📭)与(yǔ )外来(lái )追梦者北北（金巧巧(🍞)饰(🍞)）等人(⏱)在奋斗创业路上的不同(tóng )经历(lì(🛅) )、(🕎)际遇(yù(🖋) )和人生(shēng )抉择，展现出(chū )佛(🎹)山(shān )人(💍)“敢(🍤)(gǎn )为人(🎃)先、崇文务实、通济和谐(🐖)”的性格气(💩)质和(hé(🎢) )城(🦏)市精神。 巴勒斯(sī )坦電視(💀)(shì(⤵) )台攝製(🥫)(zhì )臥底肥(🍾)(féi )皂劇(jù )，連以(yǐ )色列婦(📩)孺(🧘)都晚晚(🗂)追看。編劇(😬)因情節背離革命而(ér )辭(🌃)職(🍞)，監製(zhì(😋) )的多口(kǒu )侄仔助(zhù )理受命(mìng )執筆(💹)(bǐ(🍮) )，頻頻(pí(🥇)n )借女角之口，向電視機前的舊愛示(🔪)好(🤔)，以色列(💰)檢查站(zhàn )軍官(guān )則企圖(tú(🌋) )恃權影(yǐ(🚟)ng )響劇情(🔘)(qíng )發展，以便(biàn )在追看(kàn )的(🤛)嬌妻面前(👠)自吹自(🐖)擂(😨)。助理即使槍抵腦殼，都(dō(⭐)u )不(👙)肯接受(😼)軍(jun1 )官要求(🏬)(qiú )的大團(tuán )圓結局(jú )。抗(⛔)爭(😏)(zhēng )，必(bì(📈) )須繼續(xù )！影展新秀蘇亞比巧妙調(😋)侃(♉)以巴關(🌀)係，他的喜(xǐ )劇座右銘是(shì )：要能(🐽)(né(⛹)ng )大笑，必(🌵)須面(miàn )對苦(kǔ )痛(tòng )，並(bìng )與之周旋(🚯)。獲(🌴)威尼斯(💈)地平線單元最佳男主角獎(🌪)。 During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.